The Volumes

the volumes

Yes, it’s true. Guilty as charged! I am what is commonly referred to as a HOARDER! I hoard things. I collect things. And the lesson I force-feed my children has always been – DOCUMENT EVERYTHING! When the Coronavirus curtailed my freedom of movement, I decided to explore my cellars and lofts. That is where I found thousands of my cassettes that have followed me on every journey I have ever made (and that’s a whole lot of mileage). They were just sitting there, still looking good, just waiting to be cared for again! Since the dreaded pandemic had made me a prisoner in my own home, I decided to use the time to listen to each and every cassette! That became my MISSION IMPOSSIBLY POSSIBLE! Thus was born ONCE UPON A CASSETTE, a collection of ditties and Darnellian witticisms never heard before. I now present you with The Volumes. I hope my attention span allows me to create at least one hundred more! In fact we are attempting to release one volume a month until we’re over and done. And then in time for Christmas, we shall be offering a number of volumes available for purchase in tangible form. Pow to the Nth degree, guys and dolls!

Hey, remember the Wizard who said, “Pay no attention to that man behind the curtain”? Well, here’s my take on that: Always ignore that demand, from Wizards and Fools. Peel back all curtains. Be entertained. Be shocked. Be transformed. Be embarrassed.
I dare you. In fact, I double-dare you!

August Darnell

Look out for the next volumes….coming real soon!


Off the Coast of Me

Single Releases

Bogotà Affair‘ was the third single to be released from the Off the Coast of Me 40th Anniversary Edition album.
Calypso Pan American‘ is the latest release from the same album. Out on October 28th.
The first single released off the album was ‘Mister Softee, and the follow up single, released on July 10th, was the title track ‘Off The Coast Of Me.
Visit our label to stream, download and watch the videos.

Off The Coast Of Me
(40th Anniversary Edition)



Stream on Spotify

Buy on iTunes

Stream on YouTube

Off The Coast Of Me was Kid Creole and the Coconuts’ first album release in 1980 on ZE Records.
The Kid and Coati Mundi together decided to celebrate this debut album by releasing a 40th Anniversary Edition.

Released on 2C2C Music, the Kid’s very own record label, the Deluxe Anniversary Edition includes 22 tracks in total.

It, of course, has all the tracks from the original version (re-mastered) but you will also enjoy some very special never-before-released original demos, plus some cool upbeat Bootlegs by the Kid’s son, artist Youngr. But it also includes some recent singles from the band that you may have missed the first time round:
Do Yourself a Favor, Checkin’ My Colonies, You Don’t Know Me and In a Place Like This.


News Press releases

Off The Coast of Me



PRE-ORDER from May 28 – OUT on JUNE 11

Dedicated to Stony Browder Jr., without whom this journey would never have even started


Produced by August Darnell, Coati Mundi and Adriana Kaegi for 2C2C Music


  1. Mister Softee
  2. Maladie D’amour
  3. Yolanda
  4. Off the Coast of Me
  5. Dario, Can You Get Me into Studio 54
  6. Lili Marlene
  7. Bogota Affair
  8. Calypso Pan American
  9. Adnaloy
  10. He’s Not Such a Bad Guy After All
  11. Off The Coast of Me (Youngr Bootleg)
  12. Yolanda (Youngr Bootleg)
  13. Dario, Can You Get Me Into Studio 54 (Youngr Bootleg)
  14. Bogota Affair (Youngr Bootleg)
  15. Mister Softee (Live at the Rock Lounge 1981)
  16. Off The Coast of Me (Original Demo)
  17. Bogota Affair (Original Demo)

1) Engineers: Bob Blank, Julian McBrowne, Lars Henrik Nissen, Dario Darnell
2) Studios: Blank Tapes, Chappell Studios, LN Sound, Llama Land Studios
3) Photography: John Rynski, Eva Tudor-Jones
4) Art Direction: Nadine Ballard

5) The Musicians: August Darnell, Coati Mundi, Peter Schott, Winston Grennan, Marc Mazur, Stony Browder Jr., Carol Colman, Andrew Lloyd, Freddie Harris, Charlie Lagond, Danny Kahn, Sam Burtis, Jay Stovall, Dario Darnell

6) The Singers: August Darnell, Coati Mundi, Don Armando Bonilla, Adriana Kaegi, Lourdes Cotto, Lori Eastside, Frank Passalacqua, Fonda Rae, Brooksie Wells


Ron Rainey, the most honest MANAGER I have ever known
Eva Tudor-Jones, my wife, who almost killed me by turning me into a Vegan (for 18 months)
My 2020 Band: Dave Imby, Mike Gorman, Oroh Angiama, Mark Anthony Jones, Chris Storr, Barnaby Dickinson, Edgar Jones, Otto Williams, Tim Vine, Jamie McCredie, Lorne Ashley, George Hogg
My 2020 Coconuts: Sarah McGrath, Roos Van Rossum, Charlotte De Graaf 

Michael Zilkha, who believed in the TRIP long before the Banana Boat left the dock.
Maripol, who insisted we be a part of the movie Downtown 81. 


Adriana: “I guess my greatest contribution to the band, besides doing all the choreography and designing all the outfits and providing a European flair to the backing vocals is… I refused to let August call the band Kid Creole and the Cold Cuts! He thanks me to this day.”

Coati Mundi: “Dr.Buzzard’s Original Savannah Band got me on drugs and Kid Creole & The Coconuts got me off them”.

And a special thank you from Coati Mundi:
Grande GRACIAS a mi hermana, Marina y especialmente mis padres, Cruz* y Flora*. Tu amor y apoyo me ha sostenido toda la vida. (*QEPD).

Label: 2C2C Music

News Press releases


Good to be LIVE! OUT NOW!!!

Live in Paris CD – Kid Creole and the Coconuts. Recorded at Le Zenith, Paris, September 10th, 1985.


At the zenith of their career, with the complete original line up of Creoleans, Kid Creole & The Coconuts take the stage in Paris to perform and record one of the hot and unforgettable shows that made them famous. The band loved Europe and Europe loved them right back. You can hear it in the applause and the rebounding energy from the stage. In fact, the band is so tight that they never stop playing and we are pretty sure that the audience never stopped dancing (or smiling). The last beat of every song is also the first beat of the next song and this party is a festive and wild ride. Grab a piece of dance floor and hang on!

Kid Creole & The Coconuts

OUT NOW!!!!!!!



The line up:
August Darnell, Andy “Coati Mundi” Hernandez, Adriana Kaegi, Cheryl Poirier, Janique Svedberg, Carol Colman (Bass), Peter Schott (Keyboards), Dave Span (Drums), “Bongo” Eddie Folk (Percussion), Jimmi Rippetoe (Guitar), Kenny Fradley (Trumpet), Lee Robertson (Trombone), Charlie Lagond (Saxophone).

The track list:
Don’t Take My Coconuts
My Male Curiosity
Table Manners
Mr. SoftieAnnie, I’m Not Your Daddy
I’m a Wonderful Thing, Baby
No Fish Today
Dear Addy
Stool Pigeon
Say Hey
The Lifeboat Party
Caroline Was A Dropout


Also available for streaming:





Released on Rainman Records


News Press releases

You Don’t Know Me

You Don’t Know Me – OUT NOW!

Brand new single: You Don’t Know Me OUT NOW!

Available for download at:


Apple Music

and available to listen on Spotify, Tidal, Deezer, iHeartRadio and many more digital outlets.



The new KCC single is called YOU DON’T KNOW ME.  It was written and produced by Tim Vine of Electric Diplomat and August Darnell.

Darnell met Vine in Monte Carlo. Vine had just won a small fortune at the Roulette table. Darnell had just lost a small fortune at the same table. Vine felt sorry for Darnell and offered to buy him a drink. Darnell rebuked the offer, mistaking it for a  gesture of superiority. Darnell’s ego kicked in. He said to Vine: “You don’t know me?” Vine replied, “You don’t know me?”
And so a friendship was born. And a sun-scorched song was created out of the embers of a gambling addiction in the South of France.
Turns out that Vine did not recognize Darnell without his signature mustache and two-toned shoes. Darnell invited Vine to hop aboard the KCC Banana Boat whenever he wasn’t busy with his own band, Electric Diplomat.
The track is hot. Check out what it does to your body. And meanwhile, have a swell summer.
YOU DON’T KNOW ME , on the 2C2C record labelcan be found in all on-line stores. It is the 2nd single from the KCC Album entitled Port D’Arnelle.



New Single

New Single

New Single – Do Yourself A Favor-  Kid Creole and the Coconuts ft. Savanna

PRE-ORDER your copy today! Available on iTunes

Release date is April 6th.
New Single

KID CREOLE AND THE COCONUTS has a new single. It’s about time. It’s called Do Yourself a Favor. Produced and written by August Darnell and Peter Schott (the same team who brought you I’m A Wonderful Thing, Baby: “Take a look at me, you know I couldn’t look no better!”). And it’s available on their own label, appropriately called 2c2c (too cool to conga music)!
However, you won’t hear The Kid’s voice on the single. He is so eager to retire and spend more time in his home in Bora Bora, that his latest album is featuring 7 different vocalists that he ‘discovered’ on his travels around the world.
This single features the vocals of Savanna, who just happens to be The Kid’s daughter!
The ReMix, which will be available in late April, was done by Youngr, who just happens to be The Kid’s son.
Nepotism Galore. Hey, that’s a good name for an album. Maybe next year.
This year the new album is called Port D’Arñelle. It was recorded in Copenhagen and it will be available in September.
Meanwhile, we hope you enjoy the single as much as it will enjoy you.

The song features a brand new artist, Savanna, who looks and sounds just gorgeous.

True fact: Savanna is the daughter of August Darnell! True fact!

A little bit a bout Savanna:

Savanna was born in Sheffield, England and is 22 years old. Savanna is a performer who loves music, specialising in R&B and pop.
She is currently in the studio, writing and recording her first EP, which will be released this year!!

She says: “My family…. my Dad is an American musician, I’ve grown up watching him on the stage, watching him made me realise  “This is what I want to do”.  My Mum is  a professional photographer and has stood by me from the beginning . I don’t know what I would of done without them”.

She attended the Midlands Academy of Dance and Drama for 3 years, where she met many inspiring people and made some really good friends. Having graduated last year, went straight on tour throughout the U.K, Europe, China, Egypt + Israel in the stage production of Thriller Live! This was extremely exciting as a live performer and was a great way to start her career.

For more on Savanna visit her website: Savanna’s Music

The single will be released worldwide on April 6th and will be available to download on iTunes and Apple Music and will also be on Spotify plus may other online outlets.

The Single

Up up and away,

Album Re-release

Album Re-release

album Re-release


Product Description

This 2 CD collection features Kid Creole And The Coconuts‘ two albums recorded and released by Columbia Records in 1990 and 1991 respectively.

CD 1 – features the 13 original album tracks of “Private Waters In The Great Divide” plus six related bonus tracks sourced from 7″ and 12″ singles derived from the 1990 release.

CD 2  – features the ten tracks from the 1991 album “You Shoulda Told Me You Were…”. Featured remixes include contributions from; ‘The Sex Of It‘ – House Version was remixed by Justin StraussThe Sex Of It‘ – Extended Remix Version and ‘I Love Girls‘ – Femme Fatale Mix were both remixed by Richie Jones.

This 2 CD collection has been re-mastered using the original master tapes .The 20 page full colour booklet features a split image of the two front covers and an expanded design of the original artwork for each album. There are fascinating extensive personal sleeve notes written by August Darnell aka Kid Creole and a UK discography featuring some of the Coconuts unique front cover images.

This fantastic and nostalgic double album will be available on CD at all major online and retail stores.

To pre-order your copy now on Amazon click here:


The double album will be released on April 20th!

Two Classic Albums – one sexy package!

album cover


Press releases

ABC tour

ABC tour

The ABC tour……….

Whoever came up with the idea of putting ABC and KID CREOLE on the same stage is a genius.

abc tour

The ABC tour was a great success.

Returning to Manchester was a blast, since I used to live there 1000 years ago. And the same for Sheffield. I used to live there, too. And London … hey I used to live there, as well. Yes, I’m a New Yorker who has spent a lot of time in England. Hey, in the United Kingdom, to be sure.

The tour: Manchester, Liverpool, London, Birmingham, Bristol, York, Sheffield, Gateshead and Nottingham; All cities that Kid Creole has, at one time or another in a long and varied career,  performed in before. But so very nice to revisit.

I’ve known Martin Fry since the glorious 80’s. A true gentleman and a true survivor, much like myself. And he still sounds as wonderful as he did in the beginning. ABC still rocks.

My longevity? Much of it is due to the guys and dolls who surround me on that stage.

This time around, for the ABC tour, we had Barnaby Dickinson on Trombone  (he’s been with me for over 16 years), George Hogg on Trumpet (off and on for 5 years), Dave Imby on Drums (a 9 year veteran), Oroh Angiama on Bass (over 8 years), Lorne Ashley on Guitar (my son, who has just joined the band this year), Mike Gorman on Keys ( over 8 years), and …. the fabulous COCONUTS, of course.

abc tour

The COCONUTS = Sarah McGrath (who we met in Bosnia in 1998), Roos Van Awesome (over 3 years) and Charlotte De Graaf (the newcomer, who joined the band last year).  Charlotte replaced the longest standing Coconut in the history of the band, Eva Tudor-Jones (who took a leave of absence to have a Coconut baby). We all miss Eva’s presence on stage.  But she is still very involved in the business end of things.

Trivia: Charlotte celebrated her 27th birthday while on the road, in York. Who said “youth is wasted on the young”? I disagree, vehemently.

I mention these names because the KCC SHOW would not be as magnificent as it is without these talented musicians and singers and dancers. Every true bandleader knows that the secret to greatness depends on the simple act of assembling the correct players. I have been constantly blessed with the correct players.

abc tour
stone images rocks

One should also note, that besides the players on stage there are a whole lot of other people involved in a tour. My sincere gratitude goes out to the ABC staff, who made the whole thing enjoyable from start to finish. Their monitor man made each show a breeze for me. I could hear every instrument and every voice, including my own. That’s no joke. Every lead singer will tell you that the greatest danger on tour is the possibility of straining your voice. But from the first show I knew I was in good hands. You see, I am still old-school. I use stage monitors, not the in-ear gadgets that shut out the universe. And that means I need a sound man who knows what he is doing at the helm. I got that.

My 2 KCC guys who travelled with us were perfect also: Andy and Eric. Andy, our backline tech guy, made sure the stage was always ready for the groove. And Eric, our house engineer, made sure that what the audience heard was what I wanted them to hear – the goodness!

Our set was only 45 minutes in length but those 45 minutes were filled with magical grooves and banter and joyful appreciation from fans, old and new. We played CAROLINE WAS A DROP-OUT, DON’T TAKE MY COCONUTS, STOOL PIGEON, NO FISH TODAY and ANNIE, I’M NOT YOUR DADDY which, on some nights, got audience members up and dancing the conga. I consider this a major feat, because the venues were all sit-down affairs.

All in all, we had a funky good time.

Another great memory is born in the eternal legend of Kid Creole and the Coconuts.


August Darnell


Here’s a link to a wonderful write up from Graham Clark for the Yorkshire Times





Press releases

NME Interview by Ian Penman (1980)

NME turns 60 this year and a new book documents its history. In our latest trip to Rock’s Backpages – the world’s leading archive of vintage music journalism – we visit the magazine circa 1980, a time when Ian Penman saw nothing wrong with kicking off a Kid Creole feature with a spot of French philosophy.

Source: The Guardian, March 6th 2002

“To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive (by the limitless expansion of the ego, by emotive submersion) and impoverished (by the codes of which love diminishes and levels it).” – Roland Barthes.

A man stands alone in a baggy white suit, a black masquerade visor over his eyes. He is concealing a broken heart and a loudhailer …

Just imagine: you have the opportunity to write one of those all-time sexiest and most heartbroken of songs. First step: you get involved with someone who drives you crazy with desire – ensnares you, mesmerises you, has you at arm’s length and in the palm of their hand. Then something happens: that inevitable separation. You’re classically awry – but where’s the gain (or the end) in being uselessly melancholy?

Write that song about it, summing up both your despair and the wonder of the love and sex that caused it in the first place.

You have to choose your words carefully, carnally; you have to find a crucial metaphor. It has to be just so – to sound like you’re completely drunk on love and near suicidal through the absence of your loved one. You recline on a couch and clutch your heart. The evening seems impossible: so many hours to go and no chance of the loved one appearing …

The song has to read like a love letter, from miles away. You map it out, the scenario is precarious. You get dressed up to kill, take enough numbing drugs and stand alone at the peak of your metaphorical island. You whisper – the loudhailer turns it to a plea for all the world to hear …

“Off the coast of me lies you;
In a waterfall of solitude.
I must find a one-way passage through.
To the very heart and private part of you.”

NME – Just imagine: the song of my dreams.

The August Darnell world – as manifested in a lot of Dr Buzzard’s Original Savannah Band and all of Kid Creole and the Coconuts – is a looking glass world, a somewhere far away peopled by metaphors. But you don’t need a map to find this island, because its mythology is built around that very real, most easily found (and lost) of places – love. Sexual love, romantic love, high life love, hedonistic love, hardship love whatever, wherever or whoever …

There’s a whole new lyrical country here just waiting to be discovered. It is cavalier, cinemascope and carnal. It’s a subliminal carnival, a bit of a circus, a sip of a cocktail: amorous, clandestine, physical, light-headed and heavy-lidded. The dance of love – do you know the opening steps? You awful flirt!

“High heels / Straplessly red / Seedless grapes / Cozied in the bed/ Peg leg pants / Tossed aside / Scarlet smears across the bathroom tile / No, you needn’t explain: / First comes the thunder, then the rain.”

Just look: there’s the author. An infinitely cool and not unshifty looking character. A character somewhere between Alice’s mysterious little late White Rabbit and a black market spiv, between Cab Calloway and Graham Greene, between Glenn Miller and the De Niro of New York, New York. Observe the cool. Study the deportment: the stall, the sly romantic glance up from his drink. Takes out a pocket watch from his waistcoat, on a too-long golden chain. His second hand’s playing for time …

NME – An age when songwriting was a craft

For a contemporary popular music scene – “rock’s rich tapestry,” call it what you will – all too often devoid of true troubadours and the conveyed bliss of sexual love, Mr August Darnell is a person we scarcely seem to deserve, an unusually conscientious and industrious writer, composer, arranger, producer, player, singer, stage manager, character, bon vivant. As his sartorial projection might lead you to believe, he belongs to a different age. An age when songwriting was a craft – your profession, your pride, and often a crafty progression from the very heart and poison pen parts of your day-to-day life.

NME – August Darnell makes use of words

August Darnell makes use of words. He savours them, seduces their meanings, makes them his own. The pimp! (Just my little metaphorical joke.) In the course of both Dr Buzzards Original Savannah Band and Kid Creole, Darnell has slyly, slowly been redesigning the content and tenor of the subject matter (the one that matters) of which so many songs are fashioned. Saying it, crooning, orienting it, jiving it, driving it, steering it like a captain in his ship.

He has been most recently renowned for a widespread association with a number of acts resident in the New York Ze/Antilles label: James White and the Blacks, Cristina, The Aural Exciters, Don Armando’s Second Avenue Rhumba Band and of course Kid Creole and the Coconuts. If you’re a keen modern soul fan you may also have happened upon his involvement with an outfit named Machine (more on them later) and maybe even a project known as Gichy Dan’s Beechwood No. 9 (too obscure even for me).

NME – Maestro’s Story

But our maestro’s story goes back a few years to the group (or legend) known as Dr Buzzard’s Original Savannah Band, which he co-ran and all too seldom co-runs with a man named Stony Browder Jr, an even more elusive gentleman than August. The Savannah Band are best known or remembered for a mini hit on both sides of the Atlantic in 1976 – Cherchez La Femme, taken off the group’s first RCA album (same name as the name). Two more albums have since appeared – 1978’s D.B.O.S.B. Meets King Penett (RCA) and the recent James Monroe H.S. Presents D.B.O.S.B. Goes To Washington (Elektra) – the latter being their classiest and craziest yet.

It would always have been easy to peg the Savannah Band as mere ritzy revivalists – a frivolous private joke, albeit a painstakingly self-referential one – a la Pointer Sisters or Manhattan Transfer. The beat goes a lot further and deeper. Just listen: the lush text of their performance is deceptively, danceably lighter on the ear. If you dip and dig around you’ll find a clearer complexity – those scores sound very learned!

NME – Very Insistant, Very Dreamy…

The hook to each song is usually deep in a choppy rhythmic current – a shuffling samba. Very insistent, very dreamy. Less speed and more taste than that more popping popular amyl (night rate) disco beat. Lined and fleeced with a multiplicity of signs from a predominantly 40s Swing Era code book: seedy jazz, seething calypso, reedy rhumba, rude rhythm’n’blues. The horn section and vocal harmony arrangements are many sided and exquisitely twisted, counter-counter-pointed. What poise! What a slinky noise.

Dr Buzzard’s Savannah Band always have been about arrangement (so difficult to get hold of good arrangers these days, my dear) but it still all sounds informally natural.

Music and lyrics travel all over the place. Benny Goodman horns highlight a Scott Fitzgerald scenario of tiffs, Tia Maria and tension … Brass band surrounds a fairground tryst … Itchy crickets chorus of percussion brings a come-down hell to life.

“You did the mambo, the cha-cha, bolero, the rhumba …/ You did the tango, the conga, the disco, the samba…”

The music is full of jokes, references, interruptions, homage: recreation recycled into contemporaneity. It isn’t just waxwork. Stony Browder is usually credited for musical arrangements, Darnell for lyrics, but like everything else in Savannah land the accepted borderlines are smudged. While we’re here, the rest of the Band besides Browder (guitar, piano) and Darnell (bass) are Ms. Cory Daye (main vocalist), Micky Sevilla (drums/ percussion) and “Sugar Coated” Andy Hernandez (vibes, marimba) – also a mainstay of the Coconut enterprise.

NME – Dr Buzzard’s Savannah Band

Dr Buzzard’s Savannah Band is a perfect marriage of music and words – it wouldn’t be the same if either partner wasn’t just so compatible, as sophisticated as the other. Both Browder and Darnell translate into various languages, idioms, styles. They really are good – I think Darnell is perhaps without par amongst contemporary lyricists. Early Ferry gets somewhere near to the territory (but he lost his sense of humour).

Darnell knows it’s not simply a question of saying what was or wasn’t done to one party or the other (at one party or another) in the name of love – and how it was done; but of constructing, in and around the particular sexual mise en scene, all the bitty thoughts that recapitulated it, the obsessions that accompanied it, the decorations that surrounded it, the images, desires, modulations, and quality of the pleasure that animated it.

NME – Darnell’s Lyrics

His lyrics really begin to get sharp on the second Savannah Band album. Going beyond the fixed range of expressions we expect from our songs and singers, Darnell’s lovers and losers go off into dreams, into rages, into hospital, into too many clubs and even off their heads. The stories echo Damon Runyon one moment, the Brothers Grimm the next …

“Of all the dames I fancied / She’s the only one I loved. / And when she left the pavement turned to mud. / I sought refuge in a dim saloon, / But I would have drowned in booze, / If it weren’t for the troubadour.”

Chorus: “Restless lovers everywhere / Dry your eyes, pull up a chair / Spill the cup and cup the ear / For the organ grinder’s tale…”

The pictures switch from an exaggerated ball – “When Crosby starts to croon / The jitterbuggies cruise the room / Their fingers poke the air / Man-o-man-o-man-o-man, they look just like that Fred Astaire! / “Swing it with me, my Mattie Mario” / No, no, no, no, no, no, I’m saving this fling for Mister Love.” – to obscure outbreaks of gang hatred – “Soraya, bring big gun / And let’s have some bloody fun / Nignats do the Rats in – / Kunta and grimel don’t mix / Like creme et cocoa.”

NME – Various Characters

Various characters and symbols – some figurative, some actual – make a recurrent entrance into the play of Savannah Band language, as the mad covers to all their albums testify. Wouldn’t you just love to visit The New Syringe Club? Mambo Eddie’s Beatnix School? And finish off at The New York At Dawn Show? During the course of the evening you might learn that both Stony Browder and August Darnell attended the James Monroe High School, that the Tommy Mottola of Cherchez La Femme really was their manager, and couldn’t fail to be convinced that the Savannah Band really are Champions of the Romantic.

Darnell is also a champion of the untold story, the surreptitious and strictly confidential. But unlike so many “songwriters” who are respected for their “honesty” about “relationships” – who write songs which convey nothing but venom and connivance – Darnell never loses his humour or humanity. He can fall from ecstasy to squalor in one coded coda. No one is producing better mnemonics for nightlife – even Chic got left behind a while back.

“Tired smiles / Censored romance / Premature sighs – / Now it all makes sense. / Trolley car /Take me along / To some distant shore far from Babylon. / For their air here reeks of lies; / And even the robins sound warlike. / Nocturnal interludes / Like so many tsetse flies / Nocturnal interludes / Damaging merchandise / Make-me-believe-it solitude.”

NME – ZE Records

ZE Records’ New York Office is housed on one floor of a big building which also contains the Carnegie Hall Recital rooms. You can get stuck in the same lift as Harvey Keitel did in a movie called Fingers. Except that now they’ve got a lift-man.

I sat down opposite August Darnell in the traditional false comfort of a record company “hospitality” room. I should have specified a bar in advance.

Also in the room are a couple of Coconuts (Andy Hernandez – who asks me more questions than I ask anyone – and “Mister Piano” Peter Scott, the youngest member of the ensemble, who says virtually nothing throughout) and a varying number of people from both the band entourage and ZE.

Darnell is wearing a moderately baggy, immaculately tailored creamy white suit, and everything else seems to match, natch. He twirls a tiny pink parasol (decoration pinched off a birthday cake) between thumb and forefinger, and answers all queries in a very businesslike but charming manner.

Make sure you follow us on Facebook, Youtube, and Listen to our “Song of the Month”

Song of the Month

Our Love Will Always Stand

Our Love Will Always Stand is the first Song that Kid Creole himself is handpicking for you. Every month, Kid Creole is offering songs for you to listen to from his collection, stay updated for more songs during monthly updates.

Crazy Days in New York City

I love this song. It brings back memories of my crazy days in New York City. I was living in Manhattan.  My brother, Stony Browder Jr., wrote the music. He presented me with a cassette one day and said “Give me something romantic for this one!” And so I did. It was easy. The music on the cassette was just Stony and his guitar. Unplugged before unplugged became a manufactured gimmick. Such sweet chord changes led me to that place where the heart defies the brain: LOVE-VILLE, USA.

Sitting in Central Park

And so I penned OUR LOVE WILL ALWAYS STAND in an afternoon, whilst sitting in Central Park, circa 1975. I was disappointed when Stony decided not to use it for the first Savannah Band album in the Bicentennial. In fact, he never used it at all for any of the Savannah Band albums. But I always kept it in mind.

Cherchez La Femme

Almost a decade later I produced an album called ELBOW BONES AND THE RACKETEERS and I finally got to record OUR LOVE WILL ALWAYS STAND. On this album, a singer named Frank Passalacqua delivered the vocal. Frank’s vocal style immensely influenced my alter ego, Mr. Kid Creole.

Fast forward to 2016 and the very same song is now in my stage musical, aptly called CHERCHEZ LA FEMME.

Still loverly after all these years.

Month of July 2017:

Our Love Will Always Stand

  • Band: Elbow Bones and the Racketeers
  • Writers: Browder and Darnell
  • Publisher: EMI Music Publishing LTD

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KID CREOLE AND THE COCONUTS – born out of the red hot embers of DR BUZZARD’S ORIGINAL Savannah Band. In the 1970’s the Savannah Band had successfully merged the big band sound of the 1940’s (Duke Ellington, Cab Calloway, Artie Shaw, Count Basie, Louis Prima etc) with the dance floor beat of the disco era. The Kid fused the big band sound with every strain under the sun – calypso, soca, salsa, rhythm and blues, soul, jazz, funk, hip-hop, etc……with a strong accent on Caribbeanism. Kid Creole and the Coconuts thus became pioneers of what became known as mongrel music (also known as Mulatto music or Rainbow music). In other words – a delicious but strange potpourri of goodness.

Kid Creole and The Coconuts had the good fortune of working with movie directors such as Francis Ford Copolla and Taylor Hackford. They have also done collaborations with the likes of Prince, U2 and Barry Manilow. They have done command performances for Princess Diana and President Clinton and they have worked with true giants in the MUSIC BIZ UNIVERSE: Tommy Mottola (who brought Mariah Carey to fame), Seymour Stein (who brought Madonna to the attention of the world) and Chris Blackwell (who brought reggae to the rest of the world).

Purchase Kid Creole Albums on Rainman Records Online Store